A woman with her children walks past the mural of iconic musician and singer David Bowie has appeared on the wall of Morleys department store in Brixton, Lambeth, south London. Photograph: Richard Baker//In Pictures/Corbis
In February, I posted two pieces in Bed-Stuy on Tompkins and Halsey. These two pieces got the most attention of any pieces I’ve put up so far. Within a few days, someone had written his response to the work directly onto the posters. From there, a woman wrote a response to him. And it went on and, on with different hand-written comments creating this kind of interesting discussion. The pieces remained up until a week or so ago, when the phallic image was drawn. That’s when I decided to try to take them down.
The “Stop Telling Women to Smile” piece remained in tact enough for me to include it in the exhibition. I thought it was important to present in the show, so that people could view these written reactions.
I love when assertive women scare men to such an extent that they have to resort to infantile shit like this.
They think it will shut women up, but it really just fuels everything further, I hope they know that.
The “devolution” of the poster is more interesting to me than the originals, which I’ve reblogged before.
The fact that a man decided to comment on the poster physically, and was the first to do so, says a lot. Whenever women defend ourselves we get these counter arguments. We get people in general, and not just men, trying to cut down our personal initiatives. And when women, like on the poster, attempt to hold a real discussion we get the brunt of the “dick solution” where we are told that we hate men, we haven’t had a “dick that was good” or we get a penis drawn on the poster meant to make a social commentary about our “place.”
I’ve reblogged the individual posters before because I understand them as a victim of the suggestions. But I’m reblogging them now to show the attempt to keep women in their societal place in our culture.
An excellent example of men not getting the point about street harassment.
“You find our unwanted projections of our opinions of you to be bothersome? Well … well … well … DICKS, THAT’S WHAT! DICKS!!!”
Serious grade-schooler shit here. Grow the fuck up.
Founding Father Pin-Ups, 2nd Ed.: Tread on Me
Written by Justin Aclin
Art by Vasilis Lolos and Michael Atiyeh
Little Red Riding Hood set in a feudal Japanese society.
The villages of Yomi Island are overrun with yokai demons and other creatures of folklore and mythology, with only the Order of Akane to stand between them. These “red hunters” are not appreciated by the Ainu people that also dwell on the island, believing that the demons that plague them are in fact Gods. The story begins in earnest after a yokai is taken down by the red hunters in a village, and a young Ainu girl named Kani offers to join them as a liaison in order to maintain the tenuous peace between their peoples. What follows are the chronicles of her journey as she begins the grueling task of becoming a red hunter.
Dear Fans of Geek Things, I appreciate that you think I have a nice rack and that some of you even find my friends and I to be pretty. That’s very kind. I’m not, however, super in love with the fact that having a rack at all seems to preclude me from being considered a “real” fan. (via Who Let The Girl In Here?: Notes from the Star Trek Into Darkness Premiere | The Electric Feast)
some good tips
I’ve created these flyers for a school activist project where I bring more attention to the women in history that have been forgotten or ignored. This blog will be an extension of those flyers where I post longer biographies of these women and other bad-ass women like them. Too often women’s achievements have been pushed aside, either by others in their lives, or else by the historians who choose to ignore them. This tumblr is dedicated to celebrating them and bringing their achievements to light!
Sacheen Littlefeather is a Native American woman who is a civil rights activist. She is known for dressing in Apache dress and presented a speech on behalf of actor Marlon Brando, for his performance in The Godfather, when he boycotted the 45th Academy Awards ceremony on March 27, 1973, in protest of the treatment of Native Americans by the film industry.
Littlefeather was born Marie Louise Cruz November 14, 1946, Salinas, California,U.S.). Littlefeather’s heritage includes Apache, Yaqui, Pueblo, and European ancestry. On her official website, she states her father was from the White Mountain Apache and Yaqui tribes from Arizona and that “Cruz” is her father’s recognized tribe name.
Marlon Brando became involved with the American Indian Movement (AIM) in the early 1970s. In 1973, he decided to make a statement about the Wounded Knee incident and contacted AIM about providing a person to accept the Oscar for him. Dennis Banks and Russell Means picked Sacheen Littlefeather.
She represented Brando and his boycott of the Best Actor Oscar for The Godfather (1972), as a way to protest the ongoing siege at Wounded Knee and Hollywood’s and television’s misrepresentation of American Indians. Brando had written a 15-page speech for Littlefeather to give at the ceremony, but when the producer met her backstage he threatened to physically remove her or have her arrested if she spoke on stage for more than 60 seconds. Her on-stage comments were therefore improvised. She then went backstage and read the entire speech to the press. In his autobiography My Word is My Bond, Roger Moore (who presented the award) claims he took the Oscar home with him and kept it in his possession until it was collected by an armed guard sent by the Academy.
This woman is a force to be reckoned with.
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